More Bass EQ settings

SuperT

Start by rolling all the bottom off (from 100Hz and lower) then use the
"low-mid" E.Q. to find the bass sound you want. Then slowly dial back the
low frequencies to taste. Most of the "punch" comes from the "low-mid"
range.

BEATLE BASS - Boost 100Hz by 2 or 3dB, (if you don't use a pick then boost
3kHz by 3 to 6dB.)

SILLY LOVE TONE (McCartney) - (Similar to Beatle Bass with more warmth.)
Boost 100Hz by a few dB then boost 500Hz by 6dB or so. Cut 300Hz by about
3dB and cut 12kHz by 6dB. [Good for ballads, rockin' blues or shuffle.]

BASS IN YOUR FACE (Aggressive John Entwistle sound.) - Boost 1 to 2 kHz by 6
to 9dB. Cut 200Hz by 6dB. For more "brittle" sound cut 100Hz by 2 or 3dB.
This will help a busy bass line to slice through the mix.

TWANG THANG (C&W"ish") - To accentuate "twang" : Cut 200 to 250Hz by 6dB or
so. (Good for reducing "mud".) Boost equivalent amount of 1kHz for "twang".
Boost 100Hz by 1 or 2dB.

MO-BETTER MOTOWN (OR REGGAE) - (Smooth muted tone.) Cut 1kHz by 5 or 6dB.
Boost 200Hz by 3dB. Boost 100Hz slightly. Cut high end ("hi eq") by 6dB or
so. For "reggae" sound - boost a few more "dB's" of "low end".

MOTOWN (More punchy and aggressive.) - As above but instead of cutting 1kHz,
cut 5kHz by 6dB or more. (Both the "mo-better motown" & "motown" sounds work
nicely in a mix cluttered with mid-range elements such as guitar, piano &
horns.)

JACO JAZZ (Jazz sound) (also good for fretless bass) - Boost 1kHz by 6dB or
so. Cut 200Hz by as much as 9dB or more. Boost 100Hz by 1 or 2dB. Cut 12kHz
("hi eq") by 1 or 2dB. For "Marcus Miller" sound - cut at 800Hz rather than
200Hz.